Sounding out the Fantasy of the Greenbrier Resort

August 3, 2011

Faces, The Past, Video

SOUNDTrips

by Douglas Imbrogno | I will confess to never quite feeling completely comfortable at the Greenbrier Resort in White Sulphur Springs, W.Va. I always feel like at any moment there’s going to be a strong tap on my shoulder. I turn and a man is standing there with a crinkled brow. It’s a security guard except he’s dressed in a blinding lime-green Polo shirt and white seersucker pants. He says: “I’m sorry, sir. Can I see some ID? You don’t look particularly well-to-do and, well…  the Ladies Who Croquet were complaining that some visual riff-raff was spoiling the experience of their mojitos.”

I’m quite aware the resort’s clientelle is not just people who helicopter ski or who dispatch the maid to the market in the Mercedes after running out of bitters for their Bloody Molly. Really, some of my best friends are Greenbrier guests (as well as artists whose work is found for sale there). And I do appreciate the proletarian price cuts Jim Justice, homeboy saviour of the resort, has offered now and then. I’ve not taken him up on one of these deals for us hoi polloi, but maybe I will. Part of the problem is I can’t wear white for very long before a spot of V-8, cabernet or the Appetizer of the Day lands on my outfit (if I am wearing an outfit that day, which is unlikely). So, I’m reminded once again to eat slower or wear a lobster bib.

Greenbrier boy | 2010 Photo by Douglas Imbrogno | click bigger

Yet the Greenbrier fascinates me, if at least from an anthropological angle. It’s true that the rich are not like you and me. For one, they have a lot more money – and fewer stains on their shirts because they have more of them and can send them out to be dry cleaned. (The full F. Scott Fitzgerald quote, rarely seen, comes from his 1926 short story, “The Rich Boy”: “Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft, where we are hard, cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand.”)

Much mischief and malice is being done in the country these days by the very rich and the lockstep, elephantine political party that ably represents their serpentine interests in Washington. The party of the donkey is not much better, but they are certainly better than the nihilism of the radical right. Still, America in 2011 seems less a republic and more like a ‘corporatocracy,’ a useful word  a friend recently posted to Facebook: ‎

“Corporatocracy.. denotes a system of government that serves the interest of, and may be run by, corporations and involves ties between government and business. Where corporations, conglomerates, and/or government entities with private components, control the direction and governance of a country, including carrying out economic planning notwithstanding the ‘free market’ label.”

No doubt, some of the most powerful titans of morality-free capitalism and high princes of slash-and-burn politics have polished strategies and set their minions in motion after $500-plus meals at the Greenbrier, followed by real Cohibos on the patio overlooking the Old White. We can only hope that more moral capitalists (one prays the phrase is not a non sequitur) and other socially-responsible political princes are also hobnobbing and scheming at the Greenbrier on behalf of the less well-to-do. Right or left of the political spectrum, at the Greenbrier all sip their drinks amid the over-the-top, hallucinogenic decor found everywhere at the resort, wrought by designers Dorothy Draper and Carlton Varney.

Color me Greenbrier. | 2010 Photo by Douglas Imbrogno | click bigger

So, I come not to praise – or bury – the Greenbrier, but with the debut of “SoundTrips” to offer this multimedia experience of its strangeness, Technicolor decor and complexity. By complexity, I mean that this audio and visual tour is also a homage of sorts to the working-class grunts who could hardly afford one of the high-end meals at the resort’s high-end restaurants. But it is exactly their job to make the place seem seamless, a fantasy experience of idle, at-call pleasure, available with a nod and Platinum American Express. I do not mean to propose that these are downtrodden workers – I am sure the Latino gardeners seen in an early clip are happy to have a grounds to keep and a paycheck to receive at the end of the week. Or perhaps they are downtrodden and the fact will be revealed someday by an intrepid investigative reporter.

That reporter, alas, is not I, although I support and will point out all pertinent investigations of the downtrodden, bullied and exploited. I am afflicted – or wired – to look at the world through the prism of image and word. It is through art and aesthetics, through imagery and creativity, that I sort through my experience of this world, hoping to glean some insights and truths that way. Not to claim too much for what looks on the surface to be merely a pleasant audio-visual experience, but at least here is a little visual evidence of who really makes the fantasy world of the Greenbrier so fantastic. And let’s defer to the full-bore connotations of ‘fantastic’ when considering the resort:

1. Unrestrainedly fanciful; extravagant. 2. Bizarre, as in form or appearance; strange. 3. Based on or existing only in fantasy; unreal.

Dinner cometh. | 2010 Photo by Douglas Imbrogno | click bigger

I shot the footage for this “SoundTrips” in 2010. For an historic taste of high-end Greenbrier life, here’s a classic video below a friend passed on earlier this week (which inspired this post). Produced in 1948 by the CBS series “The March of Time,” the video captures a moment in time when the Ladies Who Croquet and other high society and high-important folk (including the Duke of Windsor, caught on camera) began to re-flock to the resort after its service during World War II.

It may be the writer and reporter in me, but the Greenbrier’s World War II service was more interesting to learn:

From the Greenbrier’s web site:

During the Second World War, the United States government enlisted The Greenbrier for two very different uses. First, the State Department leased the hotel for seven months immediately after the U.S. entry into the war. It was used to relocate hundreds of German, Japanese, and Italian diplomats and their families from Washington, D.C. until their exchange for American diplomats similarly stranded overseas was completed. Following that, in September 1942 the U.S. Army purchased The Greenbrier estate, converted the hotel into a two thousand-bed hospital and renamed the facility Ashford General Hospital. In four years 24,148 soldiers were admitted and treated, while the resort served the war effort as a surgical and rehabilitation center. Soldiers were encouraged to use the resort’s entire range of sports and recreation facilities as part of their recuperation process. At the war’s conclusion, the Army closed the hospital.

The Chesapeake and Ohio Railway reacquired the property from the government in 1946. The company immediately commissioned a comprehensive interior redecoration by the noted designer Dorothy Draper. The origin of The Greenbrier’s distinctive décor goes back to this much-publicized redecoration, at a period when Dorothy Draper was at the peak of her fame. As Architectural Digest described her, she was “a true artist of the design world [who] became a celebrity in the modern sense of the word, virtually creating the image of the decorator in the popular mind.” She remained the resort’s decorator into the 1960s. Upon her retirement, her protégé Carleton Varney purchased the firm and he continues today as The Greenbrier’s decorating consultant.

Mrs. Byron C. Foy, one of the daughters of Chrysler Corporation founder Walter P. Chrysler, in a screen shot from the video above.

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9 Responses to “Sounding out the Fantasy of the Greenbrier Resort”

  1. Elizabeth Damewood Gaucher Says:

    I call it The G. I love the G. My parents took me and my sister their when we were children, and I think that early training on what it means to wear the right clothes in the lobby at certain times of day, how to “dine,” etc. helps me continue to be comfortable there to this day, even though I am certainly not of the Fitzgerald class of folks. (For example, they do not say “folks.”)

    I was married in the North Parlor in 2006. It was perfection, like a dream. The wedding was in February, and the resort filled up the entire indoor pool just for the three children attending the wedding. There was almost no one else in the entire place, it was like a private castle.

    My great grandparents lived in Ronceverte, and my great grandfather was a tailor at The G. So my people are more originated from the serving class than the served class, although far enough back for all of us and that is the case.

    My favorite story of The G is after 9-11. A close friend who lives the simple life in Pocahontas County without TV, computers, etc. left the garden covered in dirt and wearing blue jeans and work boots rolled up to The G in an old truck. She and her husband (like the rest of the nation) were in shock at what they were hearing, and wanted a newspaper. They were greeted and welcomed and their needs met just like the linen-clad croquet people. She says it was only afterwards when she processed everything that she realized how raggedy and out of place they were.

    No one ever made her feel anything but jut as important as anyone else at the resort. That’s class.

  2. admin Says:

    Was hoping I’d hear from folks, so to speak, who had their own personal take on the Greenbrier to share. The place is both day-to-day real – as an example, your 9-11 visitors – and a full-on projection, which makes it interesting.

  3. Elizabeth Damewood Gaucher Says:

    I’ll be honest, I could do without the grown men getting paid to punch each other in the head for money while half naked. Boxing, I think it’s called. It’s in very bad taste, not my G at all. But nobody asked me. :)

  4. Debra Says:

    My parents, grandparents worked at the Greenbrier, my grandmother when it was Ashford Hospital. I took swim lessons and dance lessons there. I didn’t realize until much later what a privledge it was to take swim lessons from Kathrine Rawls.
    http://en.wikipedia.org/wiki/Katherine_Rawls

    At the end of the season we would go to the Old White Club to hear the Populaires play, watch Betty and Howard Harvey dance, and sip our Shirley Temples. What a great way to grow up.

    BTW that’s Walter Scott playing piano, his father played there too.

  5. Ron Perrone Says:

    Well, perusing through Westvirginaville I came upon this wonderful article about the Greenbrier Hotel. It has been so long since I was inside the place. But the photos you posted so impressed me. It hasn’t changed. The gaudy wall paper and mismatched furniture. The tacky lawn chairs parked on expensive Persian Carpets. The mish-mash of antiques and plastic. All that was missing (and still is) is an over-sized painting of a dewy eyed kitten (or Elvis) … on black velvet. It was and remains a hallucination, a garish distorted projection of the psyche of wealth, exclusivity, and power.

  6. admin Says:

    Now, THERE’S a fine paragraph, Ron. Actually, dogs playing pokers on black velvet would not miss a beat, either.

  7. Ron Perrone Says:

    I know a couple of guys who crashed the place disguised as rock stars. Big bow ties, BIG hair, ridiculous suites, etc. To pull it off they pooled all their cash and put it in an attache case with the 20′s on top. As they approached the desk, and security was starting to make their move, they simply popped open the attache case for the clerk to see. He snapped his fingers and voila, tip top service was theirs. This was back in the 70′s, when riff-raff were not welcome. Now they let anybody in. Honestly, that’s whats wrong with this country, no standards.

  8. admin Says:

    Ha! Ron, you simply MUST comment more at WestVirginiaVille. I trust you saw your brother’s star turn on the cinema verite Appy Film Fest video.

  9. Ron Perrone Says:

    O.K. Roger W.I.C.O. and Yup. Your film is a wonderful little lesson and I’m sure the film was well received. Tis good work.

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